Into the fifty! And on the BBC’s actual 100th birthday too. Would’ve been nice to have wrapped up the whole list by this point, admittedly. But at least we’re in the top half of the table now. And into the next section of the list we go.
(Shown 1740 times, 2005-2021)
Coast arrived on our screens in 2005 with a simple premise. You know the wiggly bit that runs around the periphery of the UK? Let’s look at that! Picking the most famous bit of Britain’s coastline as the starting square (the White Cliffs of Dover, as well you know), each new episode covered subsequent stretches of coastline in a clockwise manner. So, Dover to Exmouth, Exmouth to Bristol, Bristol to Cardigan Bay, Cardigan Bay to the hip bone, and so on. Innovative, but a formula that you’d expect to have a limited lifespan. Not least as the circuit of mainland Britain, Northern Ireland and Scotland’s Western Isles was completed by the end of the twelfth episode.
Luckily though, there’s so much going on within each stretch of coastline that the programme couldn’t hope to have covered it all in twelve hour-long episodes. And so, for the second series, viewers were off on another journey, this time with the route set to ‘shuffle’. Freed from the clockwise route, there was now scope to take in some new seaside scenarios, including within the Republic of Ireland and the Outer Hebrides. And that formula was repeated for subsequent series, picking out a particularly alluring section of the British Isles’ edge bits and see what was going on there.
By the fourth series, the remit of the series had extended beyond the British Isles, taking in the stretch of France running from Cap Gris-Nez to Mont-Saint-Michel, the far northern waters running from the Inner Hebrides to the Faroe Islands, and from Norway’s Lillesand to Svalbard. With the popularity of the programme showing no sign of slowing, by 2014’s ninth series of the programme, coastlines as far afield as Canada were being explored, but such excursions only lasted a single episode – the main focus was always the coastal regions of the UK.
The soon changed with the launch of spinoff series Coast Australia. Commissioned by Aussie broadcaster Foxtel in co-operation with the BBC, which looked at, well, duh. That also proved to be a success, initially running on Australia’s History Channel in the Antipodes before appearing on BBC Two, and clocking up three series so far. Similarly, TVNZ would go on to commission Coast New Zealand, which has also run for three series thus far.
After all of which, it’s safe to say the programme has been A Success, with full repeats reaching an appreciative audience, and truncated repeats being BBC Two’s go to filler programme for any 10- or 15- minute gaps in the schedule, along with the show being on perma-standby in case of any channel breakdowns. Indeed, the series even generated a set of BBC-sponsored walks along locales visited by the series. I’ve not checked, but I’m sure that’s not something you’ll find with, say, Holby City. Despite the last new episodes being produced in 2015, it has been a regular on our screens ever since.
There were just 75 episodes in total, and yet the series has clocked up an astonishing 1,740 showings on BBCs One and Two. Surely at this point regular viewers will have a familiarity with Britain’s coastline to rival Google Street View.
(Shown 1744 times, 1946-2014)
Here’s something that’s easy to sum up in a few paragraphs: all of horse racing on the BBC since 1946.
It’s certainly a little curious that, of all the different types of racing that have been televised since that inaugural broadcast from Ally Pally, it’s horse racing that has become synonymous with the phrase ‘Racing’ on TV. Not motor racing, cycle racing or greyhound racing. It’s the equine kind that the phrase has been reserved for. And this makes it slightly surprising that it took quite a while for horse racing – literally the sport of kings – to start making any appearance within the BBC-tv schedules.
The first programme covering any kind of racing seems to have come on 9 October 1937, with ‘Road Race for the Imperial Trophy’, billed as “the first International Road Race in London (by courtesy of the Road Racing Club), on the Crystal Palace Road Racing Circuit (conditions permitting)”. Such was the clamour for the live news of the motoring event, it resulted in the Television Service opening up earlier than usual, at a still-leisurely 2.25pm rather than the usual 3pm. Britain’s sole TV channel kept tabs on the race through to 5pm that Saturday, occasionally opting out for key programmes such as ‘In Our Garden’, ‘First Time Here’ and ‘Punch and Judy with P. F. Tickner’. One can only hope the conditions were indeed permitting, because any postponement would have required a lot of filling for the nascent service.
The next instance I can find of televised racing of any kind came almost a year later, on 8 October 1938, this time under the more helpful billing of “Motor Racing” (so I don’t have to look up details of an event from 85 years ago to check whether it’s cycles or cars, unlike with the previous paragraph). This came with the promise of getting to see a thrilling encounter between Arthur Dobson and the presumably pseudonymous “B.Bira” in an event big enough to be advertised in national newspapers.
[UPDATE 20 OCT: Reader Jamie Bird adds some more exciting context to the above: “‘B.Bira’ who raced in the 8th October 1938 motor race, was the Prince of Siam, his full name being Prince Birabongse Bhanudej Bhanubandh (no wonder RT used his pseudonym). He raced all the way up to Grand Prix and Le Mans level and after retiring in the mid-fifties, took up competitive sailing, competing in four summer Olympics up to Munich ’72.”. That immediately makes this update at least 17% more interesting, so cheers Jamie!]
And, at least as far as I’ve been able to find, if you wanted to see any kind of racing action on your screens, motor racing was largely all you were going to see until the post-war years. Not that horse racing wasn’t covered at all, mind. It was, just in a slightly unusual way.
The Television Service listings for 2 June 1937 show The Derby being covered, but the limitations of camera technology at the time certainly wouldn’t have permitting a cameraman to scoot along after the action. So instead, viewers would hear audio-only coverage of the race, as broadcast on the National programme. On top of that, a plan of the racecourse was shown on-screen, along with “still photographs of scenes connected to the race will be accompanied with a commentary”. Lovely stuff. Curiously though, the Radio Times listing for the event claims this approach was “a repetition of the successful experiment carried out on the occasion of the Grand National”, but looking at the Radio Times schedule on the day of that year’s National, there was no such billing. So, presumably, any such coverage was done ‘off the hoof’ (horse reference).
Anyway, fast forward to 1946, and the reopened Television Service is now in a position to start covering horse racing properly. Television had certainly picked a suitably special occasion to cover. The two-mile King George VI Stakes is a racing event at Ascot that continues to this day, and BBC cameras were present for the very first ‘Stakes race in 1946. Or rather, ‘BBC Camera’ – the practice of mounting a camera to a vehicle capable of keeping up with racehorses still hadn’t come to fruition, and so a single BBC camera was affixed to the roof of the main stand, just to the right of the clock tower.
With this new practice proving a success, horse racing returned the following spring, with two days of live coverage of the National Hunt at Sandown Park. By 1948, it was a regular practice, offering home viewers a chance to roar on their favourite from the comfort of their own home without needing to decipher the rantings of a radio commentator (though I’ll wager the picture quality on those early sets didn’t make it abundantly clear which horse was which).
As the broadcast history table below confirms, horse racing would become an absolute mainstay of BBC Sport coverage for several more decades, but the frequency of races covered would fall as the nation entered the second decade of the 21st century. This decline in coverage came to a (horse’s) head in January 2013, when an exclusive contract between Channel 4 and the Racecourse Media Group started, resulting in all terrestrial British horse racing coverage moving to Four.
The table below doesn’t quite accurately convey the true extent of racing coverage on the Beeb – for many years, a large amount of the BBC’s racing coverage found itself covered within the Grandstand umbrella, and at other times racing shared a billing with up to three other sports in the TV listings. I’ve not included such instances in the totals, as that would only complicate matters. I make it about 237 instances of ‘Racing’ sharing a billing with other sports like this, if you want to amend the total yourself.
48: Points of View
(Shown 1753 times, 1961-2021)
Dear Sir, I object strongly to the letters on your programme. They are clearly not written by the general public and are merely included for a cheap laugh. Yours sincerely etc., William Knickers.Monty Python’s Flying Circus, episode 1.11 “The Royal Philharmonic Orchestra Goes to the Bathroom”, TX: 28 December 1969
A long-running ten-minute (or thereabouts) programme that has managed to clock up a surprising number of tropes for a show situated (for the most part) in a small presentation suite and shown after the end of Something American. If anyone from Panini is reading this and wants to put together a sticker collection of Points Of View tropes, start with the following:
- Why oh why oh why oh why oh*
- Them Upstairs
- Mrs Edna Surname of Dorset Writes
- Terry’s Bulge That Time
Okay, there aren’t that many. Let’s do this properly (unless anyone wants to add any more in the comments).
(*Spells, of course, yoyoyoyo)
In the early days of broadcasting, if you wanted to get your opinion heard about a television programme, your main outlet for viewer dissent (or heck, praise) would be the Radio Times letters page. But wouldn’t it be better if you could have your letter read out loud by a voiceover artiste in the gap between Dynasty and The News? More importantly, wouldn’t it be handy if there was a cheap programme that could be slotted into the ten-minute gap between Dynasty and The News?
That’s where Points of View came in. Offering a voice to the viewer, and holding the Beeb to at least a little bit of account. Originally hosted by Robert Robinson in 1961, going out in the teatime gap between the end of the regional news and the start of the evening’s entertainment programming.
From there, the programme rapidly became a schedule staple, to the extent that it actually aired twice per week from 1962 – once at teatime on Mondays, then again just before 10pm on Wednesdays. The latter seems to have been at least occasionally billed as “a further look at points from this week’s post”, so it’s tempting to assume that this post-watershed slot contained pure unfettered vitriol about the scheduling of last week’s episode of Play Your Hunch, rather than a straight repeat.
By the early 1970s, either the programme proved much less popular, or there was a national drought of opinion about television (or more likely the schedules threw up fewer likely spots for the series), meaning Points Of View entered an eight-year hiatus. On it’s return however, we definitely entered the imperial phase of Points of View, with comedian, writer and presenter Barry Took taking the hot seat.
The quietly wry Took was no stranger to squeezing the most out of raw materials, having spent much of the 60s and 70s helping shape the British comedy industry having worked closely with Marty Feldman, brought together the Monty Python team, helped set up The Goodies, and became Head of Light Entertainment for LWT. And it was his winsome charm that helped make Points of View something I seldom missed as a child with a fascination of all things television.
Following Took’s departure in 1986 (and PoV having a brief flirtation with guest presenters), Anne Robinson took the reins. Then a world away from the fairly annoying Ice Maiden character she’d adopt for The Weakest Link, Robinson took on the role of people’s champion as host of the programme, on the side of the viewers against those fusty suits upstairs who just didn’t realise what the people truly wanted to see. Robinson certainly made sense in that role, her early appearances on the Beeb had been as occasional TV reviewer for Breakfast Time, and during her earlier career at the Daily Mirror she’s developed a knack of expressing relatable points in a succinct manner.
Following Anne Robinson’s departure from the series, there were short-term tenures in the presenter’s chair for Carol Vorderman and Des Lynam before Lord Terence of Woganshire took on the role of Viewer’s Champion. By this point, the programme was coming from a much less pokey environment, now in a plusher place replete with flowers and a writing desk.
Following Tel’s departure, Jeremy Vine took over from 2008 to 2018, with Tina Daheley currently hosting the series, but let’s be honest. With a multitude of other ways to express opinions on #CurrentTelly it’s a programme that seems incredibly anachronistic in this day and age. Sure, you could argue that at least having your views expressed on air (not least now the format is closer to Channel 4’s old Right To Reply) adds legitimacy to the series, but I’m going to counter with the fact that, around the end of the noughties, in an effect to move with the digital cyber-times, the series accepted comments submitted via the programme’s online messageboard. Where, instead of square old ‘names’ and ‘locations’, people could express comments under their wacky online handles, like ‘Pancho Wilkins’, ‘Colonel Geewhizz’ or ‘Alan997’.
So much for legitimacy, eh?
(Shown 1777 times, 1997-2012)
Well, after four not-a-surprise-to-see-that-here entries, one that’s very much out of left-field. On seeing this name burble out of the BrokenTV dot matrix after barking ‘print results’ into the attached microphone, I genuinely expected it to belong to a number of distinctly different shows. A series of one-man playlets starring Arthur Lowe? Maybe. A long-running CBS sitcom vehicle for Bea Arthur? Very likely. A long-running Saturday evening dance extravaganza in the Wayne Sleep mould starring Arthur Negus? As good a premise as any. I mean, no way on earth can this solely refer to that American-Canadian cartoon about an anthropomorphic aardvark that doesn’t look like an aardvark.
Reader, it does solely refer to that American-Canadian cartoon about an anthropomorphic aardvark that doesn’t look like an aardvark.
Maybe I’m just out of touch, or from the wrong generation, because while I was aware of the animated series Arthur, mainly from adverts for the show on Nickelodeon in the days of pre-digital Sky. In fact, it’s so far off my radar that when it recently started airing on CBeebies, I just assumed it was a rebooted series. It’s only in looking at an episode guide to write this that I learn no, Arthur has been running continuously for 25 years. That’s 253 episodes in total. And, as fate would have it, it has only just wrapped up for good, with the final episode debuting on PBS Kids on 21 February 2022. That’s long enough for the title character to have been voiced by as many as nine different actors, and by the time of that final episode it was considered the longest-running children’s animated show in US TV history.
In short: yes, I am out of touch.
The series itself is based on the ‘Arthur’ series of books by Marc Brown, first published in 1976, and (along with the TV adaptation) helps a young audience understand issues they may experience in their formative years, including weightier topics like dyslexia, cancer, diabetes and autism. The action centres on 8-year-old Elwood City resident Arthur Timothy Read as he makes his way through family life as the oldest of three siblings in the Read household, and through school life as part of Mr Ratburn’s third grade class. Given the sheer number of episodes, it’s not a huge surprise there are practically hundreds of supporting characters, but stand-out regulars include Arthur’s younger sisters DW and Kate, plus pals Buster (a white asthmatic rabbit and Arthur’s bestie), Francine (a sports-obsessed monkey schoolgirl) and Alan (a bear schoolboy of Senegalese descent).
The pilot episode of Arthur, broadcast in 1993, seems to take a decidedly different take on the original books, mind you. In these, the action focuses on what seems to be a much older version of Arthur, he’s suddenly a human being rather than an anthropomorphic aardvark, he’s battling alcoholism and he’s being played by, of all people, Dudley Moore. Oh, hang on. Damn. [SOUND OF FRANTIC DATABASE EDITING]
Right, that’s five ‘episodes’ chopped off the total, then. That’ll save people having to tweet me. The real first episode of Arthur to air on British screens arrived in 1997, with the decidedly modest RT summary of “Adventures of a young aardvark”. Initially serving as the buffer between pre-school Playdays at 3:35pm and the not-quite-as-preschool comedy drama ‘Julia Jekyll and Harriet Hyde’ at 4:20pm, Arthur went out each Tuesday at 3:55pm from April to June that year, before returning to the same slot between September and December the same year. And that’s the position it held, with the occasional morning appearance during Christmas holidays. That’s until 2005, when it became a key part of BBC2’s early morning CBBC strand. Indeed, that’s where the bulk of Arthur’s appearances have been between then and CBBC’s big move away from BBCs One and Two in 2012 – accounting for 756 episodes of the show’s total. That’s a very impressive run, but will any other children’s programmes from that spell make it to our list? You’ll have to wait and see.
Personally, I’m just glad I realised in time that Arthur (the film) and Arthur (the series) are two very distinctly different properties.
(Shown 1794 times, 1979-2021)
As we’ve seen at several points on the list thus far, some formats – as popular as they might be – have a very definitive shelf-life. Call My Bluff had a hardy premise, but despite the occasional revamp and recasting, came to a natural end in 2005. Sportsnight seemed to be a never-ending format, midweek sport wasn’t about to go away, but the Beeb’s capacity to cover it faded and it came to an end in 1997. And yet, a similarly simple premise, people bringing antiques to a venue where an expert tells them how much they’re worth, is one that – at least at the time of writing – seems utterly inexhaustible.
It’s a format that has proved hardy enough for a number of slightly surprising pop-culture references. The Smell of Reeves and Mortimer did a memorable pastiche of the series, with experts passing judgement on Prince’s wardrobe, booze f’ baby and host ‘Hugh Scully’ gradually getting nudged out of frame by stuffed monkeys during his links. The Royle Family centred an entire episode on the titular family using a broadcast of ‘Roadshow to place bets on the values of each antique. And, perhaps not quite as fondly remembered, the film adaptation of Tom Clancy novel The Sum of All Fears saw arms dealer and main baddy Olsen (Colm Feore) enjoy some downtime from his nuke-procuring day job by watching the series.
With such a gentle format, it’s slightly surprising to realise that the series didn’t start until as late as 1979. I’d certainly assumed it was something that had been around since much earlier, at least the early 1970s, but no. Arriving in Spring 1979 for a run of eight episodes on early Sunday evenings, it now seems a little odd that the premise even needs to be explained to viewers, such is the familiarity it now has. But, readers of the Radio Times were coaxed toward the new series with the following:
Arthur Negus goes on the road with a team of experts from Britain’s leading auction houses. They meet the public informally and discuss the treasured possessions brought along for their assessment. The result is a programme filled with surprises and excitement as people discover the truth about objects that have, sometimes, been gathering dust for years. Perhaps the biggest surprise is that there are more finds than disappointments.– Listing for the first episode, Radio Times Issue 2884, 17 February 1979
From there, it went on to conquer the world, or at least Sunday evenings on BBC1. The presenters may have changed since those early days – Bruce Parker and Angela Rippon (1979), Arthur Negus (1979–1983), Hugh Scully (1981–2000), Michael Aspel (2000–2007) and Fiona Bruce (since 2008) – but the premise remains as resolute as ever. And to be fair, even for those who couldn’t give a jot about antiques, the Roadshow at least offers up to opportunity to share in the delight of attendees learning the trinkets from their attic are unexpectedly worth a five-figure sum, or even offering a chance to enjoy the schadenfreude of someone learning that Great Uncle Albert’s Victorian military figurines were actually cheap post-war replicas.
The programme would even lead to a number of spin-offs and specials, including the following:
Antiques Roadshow Gems (broadcast 1990-1992), More Antiques Roadshow Gems (1996-1997)
Hugh Scully introduces repackaged highlights from the programme, each fifteen-minute episode focusing on a particular type of antique.
Priceless Antiques Roadshow (2009-2017)
While the former highlights packages were fairly lightweight daytime filler, Priceless took things to the [puts on Oakley shades and backwards Limp Bizkit hat] extreme. Going out at 6.30pm weeknights on BBC Two, Fiona Bruce recalls some of the most memorable moments from past editions of the show, initially joined by former host Hugh Scully to look at some of the most expensive objects ever seen by the experts.
Antiques Roadshow Detectives (2015)
To the slight disappointment of anyone hoping for a Baywatch Nights-style spin-off, Detectives saw Fiona Bruce join AR experts to explore the oft-interesting backstories behind heirlooms valued by the Roadshow.
A perhaps unlikely addition to the BBC1 Boxing Day schedule for 1991, this was breathlessly billed as “the first Antiques Roadshow for youngsters”, with Hugh Scully joined by Phillip Schofield, Sarah Greene and (of course) Gordon the Gopher. In this special, the AR experts assembled at Bristol’s Temple Meads Station to pass their judgemental eye over trinkets from train sets to Thunderbirds toys.
The whole affair came after a surprisingly popular appearance on Going Live! by Scully and expert Hilary Kay, with series producer Cathy Gilbey remarking on the deluge of phone calls from viewers asking if their belongings might be worth much.
Antiikkia, Antiikkia (1997-)
Because Britain isn’t the only country containing old things, the Antiques Roadshow format has been adapted around the world. Versions of the series have appeared in Australia, Belgium, Canada, Germany, Netherlands, Sweden and the USA. And also Finland, where YLE TV1’s Antiikkia, Antiikkia has been running since 1997. That version was such an instant success, within a year comedy series Komediateatteri Arenan (Comedy Theatre Arena) was putting out a parody of the series where worthless tat was brought in for valuation, and the sole item of value met a sticky end.
Phew, another update in the bag. I can’t help but wonder which centennial milestone everyone will be marking by the time we reach the top spot on the list. My guess: the hundredth anniversary of me starting this list. Anyway. See you next time, pop pickers!